Thee Oh Sees

What’s the first thing you think of when someone mentions Thee Oh Sees? Probably their riot-sparking live show, right? Visions of a guitar-chewing, melody-maiming John Dwyer careening across your cranium, rounded out by a wild-eyed wrecking crew that drives every last hook home like it’s a nail in the coffin of what you thought it meant to make 21st century rock ’n’ roll?

 Yeah, that sounds about right. But it misses a more important point—how impossible Thee Oh Sees have been been to pin down since Dwyer launched it in the late ‘90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. (While Dwyer still records songs on his own, Thee Oh Sees is now a five-piece featuring keyboardist/singer Brigid Dawson, guitarist Petey Dammit, drummer Mike Shoun, and multi-instrumentalist/singer Lars Finberg.)

 That restlessness extends to everything from the towering, 13-minute title track of 2010’s Warm Smile LP to the mercurial moods of 2008’s The Master’s Bedroom Is Worth Spending a Night In. And then there’s the Bay Area band’s recent track record, as Thee Oh Sees chased the home-brewed symphonies of Castlemania with the scrappy high wire hooks ofCarrion Crawler/The Dream. Originally envisioned as two EPs, it was cut live to tape in less than a week at Chris Woodhouse’s Sacramento studio in June, reflecting the battering ram bent of the band’s live show better than any bootleg ever could.

 “As I’m sure most would agree,” explains Dwyer, “Castlemania was more of a vocal tirade. This one’s meant to pummel and throb.”

 That it does, whether you blast the slow, speaker-bruising build of “The Dream,” the sunburnt organs and dovetailing guitars of “Crack In Your Eye,” or the interstellar instrumental that is “Chem-Farmer,” a perfect example of what happens when you take a well-oiled machine—a gang of rabid road warriors, really—and add a second, groove-locked drum set to the mix. To listen is to realize that Dwyer’s music is as manic as the underground comic inclinations of his artwork; colorful and confusing in a way that’s more than welcome. It’s downright refreshing, like a slap in the face at 5 in the morning.

 Or as Dwyer puts it, “You have to leave a mark somehow."

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Thee Oh Sees


See video
"Chem Farmer" || Directed By Chezerez Jourdain
See video
"I Need Seed" | Directed by Mike Donovan
See video
"Meat Step Lively" | Co-directed by Ada Bligaard SØby & Brian Lee Hughes


VICE || 'Carrion Crawler / The Dream' Album Review || November 2011
Spin || June 2012
Consequence Of Sound || November 2011
Pitchfork || November 2011
ElevenPDX || February 2012
AV Club || November 2011
BUST || December 2011
CMJ || November 2011
Exclaim! || December 2011
Filter || Winter 2011
Magnet || Winter 2011
Magnet || March 2012
Paste || November 2011
Relix || February 2012
SPIN || February 2012
FILTER || Issue 49
FILTER || June 2013
Subbacultcha || 03.2013

/ tour

11 07 14           Denver /  Gothic Theater
11 08 14           Kansas City /  The Riot Room
11 09 14           Denton /  Haileys
11 11 14           Austin /  Hotel Vegas
11 13 14           Birmingham /  The Bottletree
11 14 14           Memphis /  The Hi Tone
11 15 14           Nashville /  The Exit Inn
11 16 14           Raleigh /  Kings
11 17 14           Philadelphia /  Underground Arts
11 18 14           New York /  Bowery Ballroom
11 21 14           Brooklyn /  Warsaw
11 22 14           Montreal /  The National
11 23 14           Toronto /  The Hoxton
11 24 14           Detroit /  Lager House
11 25 14           Chicago /  Empty Bottle
11 28 14           Minneapolis /  The Amsterdam
12 01 14           Seattle /  The Crocodile
12 02 14           Portland /  Doug Fir
12 03 14           Portland /  Doug Fir
12 04 14           San Francisco /  The Chapel
12 05 14           San Francisco /  The Chapel