The Wants


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March 23, 2020

THE WANTS SHARE "ALUMINUM" VIDEO | DEBUT LP CONTAINER OUT NOW VIA COUNCIL RECORDS

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March 13, 2020

THE WANTS SHARE DEBUT ALBUM CONTAINER | LP OUT NOW VIA COUNCIL RECORDS

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January 9, 2020

THE WANTS SHARE "THE MOTOR" SINGLE VIA CLASH | ANNOUNCE DEBUT ALBUM CONTAINER OUT 3/13 VIA COUNCIL RECORDS | ANNOUNCE UK TOUR, PLAYING SELECT NYC DATES

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BIOGRAPHY

With the minimal instrumentation of post-punk as their framework, The Wants inject the hypnotic pulse of Detroit techno into the practice of pop songwriting. Led by Madison Velding-VanDam’s elusive duality of personas, which oscillate between earnestly romantic and unsettlingly deadpan, The Wants naturally forge a dark alley off the beaten path into danceable dissonance. Velding VanDam’s vulnerable lyrics sometimes foray into the sardonically biting, reflecting the complex cycle of self-reflection of the current generation, while drawing from sources like the satire-of-power in Jenny Holzer’s “Inflammatory Essays,” and the midwestern heart of The National’s frontman Matt Berninger. Anthony “Shake” Shakir’s “Frictionalism (1994-2009)" and John Beltran’s “Ten Days of Blue” drew Velding-VanDam into the lush soundscapes and entrancing mood of electronic music. The Wants origins are in the musical partnership between drummer Jason Gates and Velding-VanDam who met in 2014 in the Bushwick, Brooklyn DIY scene. Velding-VanDam was new to New York at the time; the Michigan native had spent several years abroad and recently moved to NYC via Santiago, Chile, where he was studying political science and film. Gates recalls meeting him, “a tall, lanky, translucent, skeleton with hollowed out glitter covered cheekbones and a full face of makeup.” Gates introduced himself after their set and they bonded over their appreciation for producer Peter Katis (The National, Interpol) and multi talented producer/artist Angus Andrew (The Liars). Their first project together (ONWE) was short lived — while Velding-VanDam retooled and Gates focused on work and his project Veda Rays, Velding-VanDam joined his friend Ben Hozie’s new project BODEGA on guitar and as a producer. Heather Elle was the final member to join The Wants — after a decade in New York, she joined BODEGA where she met Velding-VanDam and the two instantly felt a strong musical chemistry. For their first three years as a band, The Wants performed exclusively in NYC, often at the Bushwick underground venue Alphaville. Council Records, a brand new London based label, signed The Wants in early 2019 originally for an EP that was expanded into a full length. Following their signing, The Wants traveled to Austin, TX for SXSW 2019 and London and Brighton, UK for The Great Escape 2019. The Wants’ debut full length Container is a meticulously self-produced art pop record, combining elements of post-punk, synth pop, and minimal techno. The tracklist seamlessly weaves together hooky singles with stream-of consciousness interludes and musique concrète, a direct representation of the bands’ live show. That the album’s polished sound was captured in the band member’s respective bedrooms and rehearsal space — a repurposed HANJIN shipping container situated in the middle of a dumpling factory parking lot — is a testament to their attention to detail: Velding-VanDam is a seasoned bedroom pop auteur, and Gates has a wealth of studio experience (Debbie Harry, Angelo Badalamenti, Lykke Li, My Morning Jacket). They recruited pop and hip-hop engineer Jeremy Cimino (J. Cole, Pharrel) for his ability to give their rock instrumentation a fuller sound that explicitly differentiates it from the ubiquity of more genre-abiding contemporary indie recordings.

With the minimal instrumentation of post-punk as their framework, The Wants inject the hypnotic pulse of Detroit techno into the practice of pop songwriting. Led by Madison Velding-VanDam’s elusive duality of personas, which oscillate between earnestly romantic and unsettlingly deadpan, The Wants naturally forge a dark alley off the beaten path into danceable dissonance. Velding VanDam’s vulnerable lyrics sometimes foray into the sardonically biting, reflecting the complex cycle of self-reflection of the current generation, while drawing from sources like the satire-of-power in Jenny Holzer’s “Inflammatory Essays,” and the midwestern heart of The National’s frontman Matt Berninger. Anthony “Shake” Shakir’s “Frictionalism (1994-2009)” and John Beltran’s “Ten Days of Blue” drew Velding-VanDam into the lush soundscapes and entrancing mood of electronic music.

The Wants origins are in the musical partnership between drummer Jason Gates and Velding-VanDam who met in 2014 in the Bushwick, Brooklyn DIY scene. Velding-VanDam was new to New York at the time; the Michigan native had spent several years abroad and recently moved to NYC via Santiago, Chile, where he was studying political science and film. Gates recalls meeting him, “a tall, lanky, translucent, skeleton with hollowed out glitter covered cheekbones and a full face of makeup.” Gates introduced himself after their set and they bonded over their appreciation for producer Peter Katis (The National, Interpol) and multi talented producer/artist Angus Andrew (The Liars). Their first project together (ONWE) was short lived — while Velding-VanDam retooled and Gates focused on work and his project Veda Rays, Velding-VanDam joined his friend Ben Hozie’s new project BODEGA on guitar and as a producer. Heather Elle was the final member to join The Wants — after a decade in New York, she joined BODEGA where she met Velding-VanDam and the two instantly felt a strong musical chemistry.

For their first three years as a band, The Wants performed exclusively in NYC, often at the Bushwick underground venue Alphaville. Council Records, a brand new London based label, signed The Wants in early 2019 originally for an EP that was expanded into a full length. Following their signing, The Wants traveled to Austin, TX for SXSW 2019 and London and Brighton, UK for The Great Escape 2019.

The Wants’ debut full length Container is a meticulously self-produced art pop record, combining elements of post-punk, synth pop, and minimal techno. The tracklist seamlessly weaves together hooky singles with stream-of consciousness interludes and musique concrète, a direct representation of the bands’ live show. That the album’s polished sound was captured in the band member’s respective bedrooms and rehearsal space — a repurposed HANJIN shipping container situated in the middle of a dumpling factory parking lot — is a testament to their attention to detail: Velding-VanDam is a seasoned bedroom pop auteur, and Gates has a wealth of studio experience (Debbie Harry, Angelo Badalamenti, Lykke Li, My Morning Jacket). They recruited pop and hip-hop engineer Jeremy Cimino (J. Cole, Pharrel) for his ability to give their rock instrumentation a fuller sound that explicitly differentiates it from the ubiquity of more genre-abiding contemporary indie recordings.

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Press Clippings

"Both of their singles to date provide more angular hooks than a butchers’ convention, but more importantly the trio – which includes two members of Brooklyn art-pop wizards BODEGA – aren’t afraid to speak out about what singer Madison Velding-VanDam calls “the reification of unfettered capitalism.” Which is to say, if you like your post-punk brooding and intellectual, The Wants might just steal your heart. In emotional terms, we mean. Not for retail at that butchers’ convention." - NME "The band channel new wave’s darker quarters, with nods to Depeche Mode or a strutting, dancefloor version of Nine Inch Nails; its video, meanwhile, melds stylised cinematic touches with more than a few nipple shots." - DIY "Channelling a modern Ian Curtis-esque vocal, which presides over driving –yet minimal – synths, The Want’s post-punk sound in new single “Fear My Society” creates a foreboding underbelly to the track’s exploration of human flaws. There is an air of almost uncomfortable realism embedded within; it doesn’t matter from which walk of life you’re from, there is no escape from failure." - The Line of Best Fit "The Wants hail from New York's subterranean music scene, three musicians bonded by their experience on the fringes. Rooted in the city's post-punk heritage, the band's music hinges on that caustic relationship between clipped guitar lines and broken drum machines. Austere yet precise art-pop, you could name reference points such as Bush Tetras, Talking Heads, Liquid Liquid, or even Bodega (with whom they share a guitarist)." - CLASH

Contact

Rachel Rossen rachel@tellallyourfriendspr.com

Tour Dates

US Tour Dates Jan 8 - Berlin - New York, NY Jan 18 - Alphaville - Brooklyn, NY UK Tour Dates Feb 26 - The Lanes - Bristol Feb 27 - The Lexington - London Feb 28 - YES (Basement) - Manchester Feb 29 - The Poetry Club - Glasgow Mar 1 - Brudenell Social Club - Leeds Mar 2 - The Sunflower Lounge - Birmingham Mar 4 - The Hope & Ruin - Brighton