Sego


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November 20, 2019

SEGO's “Neon Me Out” #1 On Bob Boilen's NPR Spotify + Featured In Jack Daniels Honey Commercial | Hometown LA Show ‘In Surround Sound’ 11/23 | Announces Treefort Music Fest Performance March 2020, Sego Sucks LP Out Now Via Roll Call Records

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November 12, 2019

Sego Share "In The Meantime" (Spacehog Cover) Feat. Comfort The Killer | To Perform Hometown LA Show ‘In Surround Sound’ 11/23 | Sego Sucks LP Out Now Via Roll Call Records

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October 10, 2019

Sego Share "Walking The Cow" (Daniel Johnston Cover) Feat. The Moth and The Flame & Pinguin Mofex | Performing ACL Festival This Weekend | 'Sego Sucks' LP Out Now Via Roll Call Record

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September 17, 2019

Sego Share "Yah" (Kendrick Lamar Cover) Track Feat. Vacationer | Fall Tour With Magic City Hippies | 'Sego Sucks' LP Out Now Via Roll Call Records

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September 4, 2019

Sego Share "Where Have All The Cowboys Gone?" (Paula Cole Cover) Feat. Leah Wellbaum Of Slothrust | Fall Tour With Magic City Hippies | 'Sego Sucks' LP Out Now Via Roll Call Records|

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April 30, 2019

Sego Share "Give Me" Video On Paste | Playing ACL Fest + NYC On 5/9, Add Dates To U.S. Tour | 'Sego Sucks' LP Out Now Via Roll Call Records

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March 6, 2019

Sego Share "Heart Attack" Video On Under The Radar | Playing SXSW, Announce U.S. Tour Dates | 'Sego Sucks' LP Out 4/5 Via Roll Call Records

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February 20, 2019

Sego's "Neon Me Out" Track Featured On NPR All Songs Considered | Playing SXSW, Look Out For U.S. Tour | Sego Sucks LP Out 4/5 Via Roll Call Records

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February 13, 2019

Sego Share New Song/Video "Neon Me Out" On Billboard | Playing SXSW, Look Out For U.S. Tour | Sego Sucks LP Out 4/5 Via Roll Call Records

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BIOGRAPHY

“U.S.A.! U.S.A.! U.S.A.!” Not what one would expect to hear chanted vehemently from the members of an indie rock band in 2019... But Sego seems to get off on doing things one wouldn’t expect from an LA indie band today. Being proficient at their instruments instead of relying on computer tracks to play their new album Sego Sucks live, recording said album in a church in far away Canada in the winter, thus committing to the deliberate notion of an album more than an amalgamation of 'laptop studio' singles. And yes, chanting “USA, USA, USA” as the main reprise of a reflective tune about entitlement culture. One must ask why? Why take it there? Or one may not ask and instead bounce and bop their way through each energetic turn, just happy to have their blood pump a little faster than the “everything chill all the time” pace that we’ve all become accustomed to.
And therein lies the trick of Sego. It’s a gosh-damn choose your own adventure story of music for adrenaline huffers and introspective socio-philosophical types alike. Not that the two are mutually exclusive.I would say Sego hails from Utah, but when does anyone say that someone ‘hails’ from anywhere other than in gratuitous band bios, ya know? Sego is not only aware that their Utah upbringing is different from most Angeleno transplants, but they exhibit a sense of pride in the perspective it has given them. Perhaps this is why singer Spencer Petersen finds ways to separate himself from the status quo. Likeusing a flip -phone still. And recording interludes with one of the many tape machines he has stock-piled in his studio. Sego Sucks is the cathartic result of a person like Spencer sorting his way through a natural resistance to being smothered by Modernism. Sonically, the 10-track LP is woven with the changes of becoming a four piece band. Originally Spencer Petersen and Thomas Carroll, the band added members Alyssa Davey on bass and Brandon McBride on guitars and keys in 2018. The sound became more focused, but the raucous spirit that has kept people sweating since the beginning is just as tangible and, dare I say, primal as ever. The extensive touring they’ve done throughout North America, Europe, and the UK has also shown to be a strong influence. There’s heat, there’s resistance, there’s intelligence. Did Sego fool us and write a modern day punk album that could be played on the radio? To go to a Sego show is to be standing amongst very different people having very different experiences. To your left is someone intently staring at Spencer digging through his many acid-tongued references trying to decipher his cryptic slant on absolutism. Behind you is a gear-nut scratching their heads trying to understand what far corner of the brain one can write such dissonantly triumphant guitar parts. In front of you is someone falling in love with Tom, Brandon or Alyssa depending on who the light falls upon in any given moment... or perhaps all 4 at the same time, the way it was always intended to happen when a band is really a band. But perhaps most common is the person to your right, who is dripping in sweat, dancing with their eyes closed and losing themselves completely in an anoetic experience particular to when music is being played live. And loud. While only on their sophomore album, Sego exhibits the kind of maturity in songwriting and pride in a live performance that makes for the band that your cool older brother worships and turns you on to the second your frontal lobe develops enough to spark your curiosity in taste.
“U.S.A.! U.S.A.! U.S.A.!” Not what one would expect to hear chanted vehemently from the members of an indie rock band in 2019… But Sego seems to get off on doing things one wouldn’t expect from an LA indie band today. Being proficient at their instruments instead of relying on computer tracks to play their new album Sego Sucks live, recording said album in a church in far away Canada in the winter, thus committing to the deliberate notion of an album more than an amalgamation of ‘laptop studio’ singles. And yes, chanting “USA, USA, USA” as the main reprise of a reflective tune about entitlement culture. One must ask why? Why take it there? Or one may not ask and instead bounce and bop their way through each energetic turn, just happy to have their blood pump a little faster than the “everything chill all the time” pace that we’ve all become accustomed to.
And therein lies the trick of Sego. It’s a gosh-damn choose your own adventure story of music for
adrenaline huffers and introspective socio-philosophical types alike. Not that the two are mutually exclusive.I would say Sego hails from Utah, but when does anyone say that someone ‘hails’ from anywhere other than in gratuitous band bios, ya know? Sego is not only aware that their Utah upbringing is different from most Angeleno transplants, but they exhibit a sense of pride in the perspective it has given them. Perhaps this is why singer Spencer Petersen finds ways to separate himself from the status quo. Likeusing a flip -phone still. And recording interludes with one of the many tape machines he has stock-piled in his studio. Sego Sucks is the cathartic result of a person like Spencer sorting his way through a natural resistance to being smothered by Modernism.

Sonically, the 10-track LP is woven with the changes of becoming a four piece band. Originally Spencer Petersen and Thomas Carroll, the band added members Alyssa Davey on bass and Brandon McBride on guitars and keys in 2018. The sound became more focused, but the raucous spirit that has kept people sweating since the beginning is just as tangible and, dare I say, primal as ever. The extensive touring they’ve done throughout North America, Europe, and the UK has also shown to be a strong influence. There’s heat, there’s resistance, there’s intelligence. Did Sego fool us and write a modern day punk album that could be played on the radio?

To go to a Sego show is to be standing amongst very different people having very different experiences. To your left is someone intently staring at Spencer digging through his many acid-tongued references trying to decipher his cryptic slant on absolutism. Behind you is a gear-nut scratching their heads trying to understand what far corner of the brain one can write such dissonantly triumphant guitar parts. In front of you is someone falling in love with Tom, Brandon or Alyssa depending on who the light falls upon in any given moment… or perhaps all 4 at the same time, the way it was always intended to happen when a band is really a band. But perhaps most common is the person to your right, who is dripping in sweat, dancing with their eyes closed and losing themselves completely in an anoetic experience particular to when music is being played live. And loud.

While only on their sophomore album, Sego exhibits the kind of maturity in songwriting and pride in a live performance that makes for the band that your cool older brother worships and turns you on to the second your frontal lobe develops enough to spark your curiosity in taste.

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Press Clippings

“At first blush, the 1997 country pop smash seems like an odd fit for the off-kilter rockers of Sego. But the band quickly makes the song its own with funky-as-hell bass riff, skittering guitars and winking vocal performances. Wellbaum replicates the sweet tones of Cole’s voice well, playing off the more eccentric inclinations of Sego. On paper, this cover seems to make no sense, and yet, when you hear it, it all suddenly makes perfect sense.”
– The 405

“Sego Sucks tackles self-loathing, fake personas, escape, substance abuse, economic anxieties and other various personal hang-ups, and it’s all swathed in tuneful blankets of frisky rock riffs and warm-hearted melodies.”
– Paste

“The track itself is a wheezy power pop track ornamented with a contorting guitar line and a sense of playful dejection.”
– Under The Radar

“Los Angeles-based quartet Sego creates boisterous, hook-driven indie rock reminiscent of Beck or Phoenix in the early 2000s.”
– NPR

riddled with musical quirks and kinks that call to mind Beck’s zanier tendencies. The bass provides a pounding pattern akin to a heart on the verge of bursting, which the song eventually does during its climactic, jarring, but wholly enrapturing chorus…with an anthemic track of this magnitude, festival bookers would be smart to snatch them up for the summer season.” 
– Consequence Of Sound

Contact

Kip Kouri kip@tellallyourfriendspr.com
Michael Lantz michael@tellallyourfriendspr.com

Tour Dates

Tour Dates:

9/19 – Athens, GA @ Georgia Theatre*
9/20 – Charlotte, NC @ Visulite Theatre*
9/21 – Asheville, NC @ Asheville Music Hall*
9/22 – Charlottesville, VA @ The Southern*
9/24 – Annapolis, MD @ Rams Head On Stage*
9/26 – Brooklyn, NY @ Baby’s All Right*
9/27 – Fairfield, CT @ The Warehouse*
9/28 – Pawtucket, RI @ The Met*
9/29 – Burlington, VT @ Higher Ground*
10/1 – Ithaca, NY @ The Haunt*
10/2 – Albany, NY @ The Hollow
10/3 – Columbus, OH @ A&R Music Bar*
10/4 – Ann Arbor, MI @ Blind Pig*
10/5 – Bloomington, IN @ Bluebird Nightclub*
10/6 – Lexington, KY @ Cosmic Charlie’s*
10/8 – St Louis, MO @ The Bootleg
10/12 – Austin, TX @ Stubb’s
10/13 – Austin, TX @ Austin City Limits