Humeysha


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PRESS RELEASES

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September 16, 2019

HUMEYSHA SHARE "NUSRAT ON THE BEACH" VIDEO VIA ROLLING STONE INDIA | NUSRAT ON THE BEACH EP OUT NOW

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August 5, 2019

HUMEYSHA SHARE NUSRAT ON THE BEACH EP | OUT TODAY ON ALL DSPS

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July 9, 2019

HUMEYSHA SHARE LEAD SINGLE "NUSRAT ON THE BEACH" VIA TALKHOUSE | ANNOUNCE NEW EP NUSRAT ON THE BEACH OUT 8/2

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BIOGRAPHY

History and homeland are central to Humeysha, the brainchild of Zain Alam, an American artist and musician of Indian-Pakistani origin. Described as “a unique intersection, merging the cinematic formality of Bollywood and geometric repetition of Islamic art,” Humeysha began during Alam’s travels through his ancestral India and Pakistan where he worked as an oral historian for the 1947 Partition Archive. He was the first in decades from his family to visit both sides of the militarized border by virtue of birthright American citizenship. The fourteen-track debut LP he wrote there began from a question appropriate for loud, sweaty Indian cities: what does it mean to find a unity between the mess of divergent sounds one grows up with as a first-generation immigrant living in diaspora? Born in Queens, NYC and raised in Kennesaw, Georgia, Alam soundtracks a personal vocabulary through Humeysha that draws on Islamic art and South Asian music to expand the range of sound and experience available to his communities. Field recordings of Pakistani cities; the distinct dialect of an his ailing grandmother’s reminisces; quick rhythmic loops from favorite childhood Bollywood songs—all of these sounds find their way into Humeysha, regardless of their traditional “musicality.” Shoegazing guitars fit alongside meditation bells played underneath Urdu poetry as if they always belonged together. Alongside expanding Humeysha into a live quartet, Alam has collaborated with visual artists and composed music at residencies including Bruce High Quality Foundation, the South Asian American Digital Archive (SAADA), and the Science, Religion, and Culture program at Harvard University. Uniting all of his projects is a passion for sampling, borrowing, and assembling fragments from one’s own history and memory—for how a personal mosaic of sound can empower minorities and the marginalized to engage in self-creation, on their own terms. Alam is currently an artist-in-residence at SAADA for their Revolution Remix project, composing soundtracks for neighborhoods with long immigrant histories in Philadelphia. Humeysha is preparing their next release, Nusrat on the Beach, for this summer and to embark on a regional tour thereafter.

History and homeland are central to Humeysha, the brainchild of Zain Alam, an American artist and musician of Indian-Pakistani origin. Described as “a unique intersection, merging the cinematic formality of Bollywood and geometric repetition of Islamic art,” Humeysha began during Alam’s travels through his ancestral India and Pakistan where he worked as an oral historian for the 1947 Partition Archive. He was the first in decades from his family to visit both sides of the militarized border by virtue of birthright American citizenship. The fourteen-track debut LP he wrote there began from a question appropriate for loud, sweaty Indian cities: what does it mean to find a unity between the mess of divergent sounds one grows up with as a first-generation immigrant living in diaspora?

Born in Queens, NYC and raised in Kennesaw, Georgia, Alam soundtracks a personal vocabulary through Humeysha that draws on Islamic art and South Asian music to expand the range of sound and experience available to his communities. Field recordings of Pakistani cities; the distinct dialect of an his ailing grandmother’s reminisces; quick rhythmic loops from favorite childhood Bollywood songs—all of these sounds find their way into Humeysha, regardless of their traditional “musicality.” Shoegazing guitars fit alongside meditation bells played underneath Urdu poetry as if they always belonged together.

Alongside expanding Humeysha into a live quartet, Alam has collaborated with visual artists and composed music at residencies including Bruce High Quality Foundation, the South Asian American Digital Archive (SAADA), and the Science, Religion, and Culture program at Harvard University. Uniting all of his projects is a passion for sampling, borrowing, and assembling fragments from one’s own history and memory—for how a personal mosaic of sound can empower minorities and the marginalized to engage in self-creation, on their own terms.

Alam is currently an artist-in-residence at SAADA for their Revolution Remix project, composing soundtracks for neighborhoods with long immigrant histories in Philadelphia. Humeysha is preparing their next release, Nusrat on the Beach, for this summer and to embark on a regional tour thereafter.

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Press Clippings

“Flipping between English and Hindi-Urdu, this NYC band utilize a languid sonic palette set to seduce.”
– Noisey

“Humeysha, the musical alias of the Brooklyn-based singer-songwriter Zain Alam, blends spacey indie rock with more traditional Indian sounds from instruments like the tabla and puja bells.”
– The New York Times

“The video for Humeysha’s “Burma Between You and Me” is what I imagine drugs feel like… It’s super weird, but then you glimpse Humeysha playing the guitar, making sense of everything you just saw with a soothing riff and gorgeously layered multilingual vocals.”
– The Fader

“This is Alam’s modus operandi: blending the sounds from across his diaspora into a diffuse-but-distinct mode of storytelling, one that captures spiritually the full range of the Desi experience from the indigenous to the transplant.”
– Stereogum

“Opening the show was Humeysha, the musical project of Zain Alam, who performed many new, dreamy songs interlaced with visuals that varied from seemingly home-video activities to kaleidoscopic psychedelics.”
– Brooklyn Vega
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Contact

Rachel Rossen / rachel@tellallyourfriendspr.com